Elizabeth Fullerton
Home Profile Articles Essays Artrage! Projects Contact
HomeProfileArticlesEssaysArtrage!ProjectsContact
Elizabeth Fullerton
Art writer

Articles

I have been writing professionally for more than 20 years and passionate about art all my life.

My interest in art spans performance, video, painting, sculpture, sound to the undefinable. Issues of sex, gender, race, the colonial legacy and the climate emergency are a particular focus. I write across a wide range of topics for a variety of publications including The Guardian, The New York Times, Art Monthly, ARTnews and many more. Below is a selected archive of my articles with links to the full texts.

Please click on headlines to see the full articles (these will open in a new browser window).

 
Interview: Secrets of the seesaw: the painter harnessing the unsettling power of the playground
Interview: Secrets of the seesaw: the painter harnessing the unsettling power of the playground

Born in Bradford but raised in Bangladesh, Matthew Krishanu paints children playing on swings, seesaws and climbing frames to makes subtle points about race, empire and excluded faces

Read More
Elizabeth FullertonNovember 8, 2022The Guardian
Review: Life Under Franco: Juan Genovés at Marlborough
Review: Life Under Franco: Juan Genovés at Marlborough

“The painter constructs, the photographer discloses,” said Susan Sontag in her 1973 book On Photography. The late Spanish artist Juan Genovés did both in his powerful political paintings that draw on photography and film techniques to point up state atrocities of the Franco era.

Read More
Elizabeth FullertonOctober 28, 2022Art in America
Feature: Sculptural Highlights from “The Milk of Dreams,” 59th Venice Biennale
Feature: Sculptural Highlights from “The Milk of Dreams,” 59th Venice Biennale
Elizabeth FullertonSeptember 2, 2022SCULPTURE MAGAZINE
Between Two Knowns: A Conversation with Nathaniel Rackowe
Between Two Knowns: A Conversation with Nathaniel Rackowe
Elizabeth FullertonSeptember 2, 2022SCULPTURE MAGAZINE
Feature: Stand-Out Pavilions for Sculpture at the 59th Venice Biennale
Feature: Stand-Out Pavilions for Sculpture at the 59th Venice Biennale
Elizabeth FullertonAugust 19, 2022SCULPTURE MAGAZINE
Review: Painting Pedigree: Amie Siegel at Thomas Dane Gallery
Review: Painting Pedigree: Amie Siegel at Thomas Dane Gallery
Elizabeth FullertonAugust 17, 2022Art in America
Interview: ‘He’s elegant, troubled, and very sexual’: Mahmoud Khaled’s museum to an imaginary man
Interview: ‘He’s elegant, troubled, and very sexual’: Mahmoud Khaled’s museum to an imaginary man
Elizabeth FullertonJuly 5, 2022The Guardian
Feature: With Sámi Pavilion, Three Indigenous Artists Hope to Highlight Ongoing Struggles at Venice Biennale
Feature: With Sámi Pavilion, Three Indigenous Artists Hope to Highlight Ongoing Struggles at Venice Biennale

This area is situated in the heartland of Europe’s only Indigenous people, the Sámi, and it is the site of a long and bitter cultural, political, and ecological struggle over land use rights and guardianship.

Read More
Elizabeth FullertonApril 18, 2022ARTnews
FEATURE: Bright Colors, Dark Subjects: Hew Locke’s Unsettling Pageant
FEATURE: Bright Colors, Dark Subjects: Hew Locke’s Unsettling Pageant

In a major new commission for the Tate museum group in London, the British-Guyanese artist returns to the themes of empire and postcolonial reckoning that have fascinated him throughout his career.

Read More
Elizabeth FullertonApril 1, 2022New York Times
Feature: All eyes on Lagos: an artistic homecoming
Feature: All eyes on Lagos: an artistic homecoming
Elizabeth FullertonMarch 21, 2022The Financial Times
Interview: ‘I hide the traumatic image behind a cactus or carpet’ – the paintings of Iraqi exile Mohammed Sami
Interview: ‘I hide the traumatic image behind a cactus or carpet’ – the paintings of Iraqi exile Mohammed Sami

“The things I articulate in my artwork are memories hidden in the brain cells that are waiting for a trigger,” the Iraqi-born artist says.

Read More
Elizabeth FullertonMarch 21, 2022The Guardian
Shapes of Silence: A Conversation with Edmund de Waal
Shapes of Silence: A Conversation with Edmund de Waal
Elizabeth FullertonMarch 1, 2022SCULPTURE MAGAZINE
Jananne Al-Ani on the Hidden Landscape of Objects
Jananne Al-Ani on the Hidden Landscape of Objects
Elizabeth FullertonMarch 1, 2022Art Quarterly
Feature: Kehinde Wiley: How do museum collections inspire your work?
Feature: Kehinde Wiley: How do museum collections inspire your work?
Elizabeth FullertonMarch 1, 2022Art Quarterly
Review: Theaster Gates: A Clay Sermon, Whitechapel Gallery, London
Review: Theaster Gates: A Clay Sermon, Whitechapel Gallery, London
Elizabeth FullertonMarch 1, 2022SCULPTURE MAGAZINE
Video Interview: Donna Huddleston – ‘I was thinking of all the works being a double for myself’
Video Interview: Donna Huddleston – ‘I was thinking of all the works being a double for myself’
Elizabeth FullertonFebruary 3, 2022Studio International
Review: Rachel Kneebone: Raft, White Cube, Mason's Yard, London
Review: Rachel Kneebone: Raft, White Cube, Mason's Yard, London
Elizabeth FullertonJanuary 1, 2022SCULPTURE MAGAZINE
Feature: Still Fighting Over the Turner Prize
Feature: Still Fighting Over the Turner Prize
Elizabeth FullertonNovember 25, 2021New York Times
Feature: “Waterfronts”: Sculpture Along England’s Edge
Feature: “Waterfronts”: Sculpture Along England’s Edge
Elizabeth FullertonOctober 13, 2021SCULPTURE MAGAZINE
Interview: ‘There’s a lefty, rose-tinted glaze around feminism’: artist duo Quinlan and Hastings
Interview: ‘There’s a lefty, rose-tinted glaze around feminism’: artist duo Quinlan and Hastings

After skewering the male dominance of gay bars, Hannah Quinlan and Rosie Hastings are scrutinising overlooked historical connections between feminism and the political right

Read More
Elizabeth FullertonOctober 11, 2021The Guardian
Newer Older

Website by Mud Kitchen Creative