John Akomfrah’s films have shaken up official narratives around Black identity and imperialism. His latest tries to make sense of life in the pandemic.
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Catalina de Erauso, the so-called Lieutenant Nun, has been the subject of plays, novels, and films, but her transgressions are relayed in a more unconventional, fragmented mode by artist Mercedes Azpilicueta in her beguiling exhibition “Bondage of Passions” now at Gasworks in London.
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